Inside Out 2 - Film Download

About Inside Out 2 – Film

Inside Out 2 Film Details

Inside Out 2 is a 2024 American animated coming-of-age film produced by Pixar Animation Studios for Walt Disney Pictures. The sequel to Inside Out (2015), it was directed by Kelsey Mann (in his feature directorial debut) and produced by Mark Nielsen, from a screenplay written by Meg LeFauve and Dave Holstein, and a story conceived by Mann and LeFauve. Amy Poehler, Phyllis Smith, Lewis Black, Diane Lane, and Kyle MacLachlan reprise their roles from the first film, with Maya Hawke, Kensington Tallman, Tony Hale, Liza Lapira, Ayo Edebiri, Lilimar, Grace Lu, Sumayyah Nuriddin-Green, Adèle Exarchopoulos, and Paul Walter Hauser joining the cast. The film tells the story of Riley’s emotions as they find themselves joined by new emotions that want to take over Riley’s head.

First announced in September 2022 during the D23 Expo, Inside Out 2 features Pixar chief creative officer Pete Docter’s “five to 27 emotions” idea from the first film that Mann pitched during its production to utilize “truthful” worldbuilding. Like its predecessor, the production team consulted psychologists to accurately portray how teenagers’ emotions change during puberty, while also enlisting a group of teenagers to accurately portray modern teenage life.

Inside Out 2 premiered at the El Capitan Theatre in Los Angeles on June 10, 2024, and was released in theaters in the United States on June 14. The film received positive reviews from critics and has grossed $1.629 billion worldwide, becoming the highest-grossing film of 2024. It had the third-highest domestic opening weekend for an animated film and became the fastest animated film to cross the $1 billion mark, alongside being the second-highest-grossing animated film of all-time,^[c] the tenth-highest-grossing film of all-time, and the highest-grossing Pixar film in history.

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STORY

Two years after her move to San Francisco, 13-year-old Riley Andersen is entering high school. Her personified emotions—Joy, Sadness, Fear, Disgust, and Anger—now oversee a newly formed element of Riley’s mind called her “Sense of Self”, which houses memories and feelings that shape Riley’s beliefs. Joy, aiming to fill the Sense of Self with only positive memories, has created a mechanism that launches negative memories to the back of Riley’s mind.

Riley and her best friends, Bree and Grace, are invited to a weekend ice hockey camp, where Riley hopes to qualify for her school’s team, the Firehawks. However, a “Puberty Alarm” goes off the night before camp, and a group of mind workers clumsily upgrade the emotion console, leaving Headquarters in disarray.

The emotions find that Riley now overreacts to any inputs they make to the console. Four new emotions—Anxiety, Envy, Embarrassment, and Ennui—arrive and clash with the original emotions over their approaches. In particular, Joy wants Riley to have fun at camp, while Anxiety focuses on winning a spot on the team and making new friends, especially after Riley learns that Bree and Grace will be attending a different high school.

While Joy is in control, Riley inadvertently gets the campers punished by the strict camp director, Coach Roberts. Anxiety, deciding that Riley needs to change to fit in with the older players, launches the Sense of Self to the back of Riley’s mind and has Joy, Sadness, Fear, Anger, and Disgust captured and thrown into a memory vault. Anxiety, Envy, Ennui, and Embarrassment then create a new anxiety-dominated Sense of Self and encourage Riley to befriend popular hockey player Val Ortiz, straining her friendship with Bree and Grace. Joy, Sadness, Fear, Anger, and Disgust escape the vault; Sadness returns to Headquarters while the others go to retrieve Riley’s old Sense of Self.

Under Anxiety’s control, Riley sneaks into Coach Roberts’ office and learns from her notebook that Riley is not considered ready to become a Firehawk. The old emotions find the old Sense of Self on a mountain of negative memories deposited by Joy’s mechanism. They cause an avalanche to return them to Headquarters, but this causes the negative memories to spill into Riley’s current Sense of Self. Anxiety realizes that the Sense of Self she has created for Riley is one of self-doubt, which causes Riley to perform poorly during her final tryout match, accidentally hurt Grace, and get sent to the penalty box. Horrified, Anxiety frantically swarms the console in a blinding whirlwind, causing Riley to have a panic attack.

With the help of Sadness and a reformed Embarrassment, the other original emotions return to Headquarters. Joy finds Anxiety still in control but in paralysis; Joy convinces her that Riley does not need to change to have a better future. Anxiety relents and Joy reinstates Riley’s original Sense of Self, but the panic attack persists. After the repentant Anxiety admits that she cannot determine who Riley is, Joy realizes that the same applies to her.

Joy removes the first Sense of Self and allows a new one to form from Riley’s positive and negative memories. The emotions embrace this third Sense of Self, calming Riley and helping her reconcile with Bree and Grace. The console calls for Joy, who takes command and helps Riley happily finish the hockey tryouts.

Riley befriends Val and the other Firehawks at high school, while staying true to herself and maintaining her friendship with Bree and Grace. Living in peace, the original and new emotions work together to protect Riley, who checks her phone for the Firehawks’ recruitment results and looks at herself in the mirror with a proud smile.

CAST

Amy Poehler as Joy, a yellow emotion who often takes the lead in Riley’s emotional life, and is reluctant to accept any influences that could detract from Riley’s happiness
Maya Hawke as Anxiety, a new orange emotion who catastrophizes every situation, with the stated intention of averting bad outcomes for Riley
Kensington Tallman as Riley Andersen, a 13-year-old girl in whose mind the emotions live
Liza Lapira as Disgust, a green emotion who deals with visceral aversion as well as gut reactions like responding to body language
Tony Hale as Fear, a purple emotion responsible for protecting Riley from threats in the physical world
Lewis Black as Anger, a red emotion who also governs aspects of Riley’s hockey game when she plays aggressively
Phyllis Smith as Sadness, a blue emotion who helps Riley process upsetting experiences
Ayo Edebiri as Envy, a new cyan emotion who motivates Riley to pursue what others have
Lilimar as Valentina “Val” Ortiz, a popular hockey player at Riley’s high school
Grace Lu as Grace, Riley’s friend
Sumayyah Nuriddin-Green as Bree, Riley’s friend
Adèle Exarchopoulos as Ennui, a new indigo emotion with a French accent who expresses Riley’s boredom and also deflects uncomfortable situations with sarcasm, feigned disinterest, or taciturn responses. Exarchopoulos reprised her role in both European French and Canadian French dubs of the movie.
Diane Lane as Mrs. Andersen, Riley’s mother
Kyle MacLachlan as Mr. Andersen, Riley’s father
Paul Walter Hauser as Embarrassment, a new pink emotion who, in response to Riley’s embarassment, hides his face inside a hoodie
Yvette Nicole Brown as Coach Roberts, a hockey coach and head of the summer hockey camp
Ron Funches as Bloofy, a character from Riley’s favorite childhood TV show. He is similar to the hosts of interactive children’s shows such as Blue’s Clues and Dora the Explorer.
Yong Yea as Lance Slashblade, a heroic video game character whom Riley was infatuated with when she was younger. He is similar to the character Cloud Strife from Final Fantasy VII.
James Austin Johnson as Pouchy, a talking pouch who is similar to Backpack from Dora the Explorer and Toodles from Mickey Mouse Clubhouse
Steve Purcell as Deep Dark Secret
Dave Goelz as Mind Cop Frank
Kirk Thatcher as Foreman
Frank Oz as Mind Cop Dave
Paula Pell as Mom’s Anger
June Squibb as Nostalgia, a new beige emotion who fondly recalls past events, which due to Riley’s youth are always quite recent. The other new emotions shut Nostalgia in another room, saying that she has arrived many years too early
Pete Docter as Dad’s Anger
Paula Poundstone as Forgetter Paula
John Ratzenberger as Fritz
Sarayu Blue as Margie
Flea as Jake
Bobby Moynihan as Forgetter Bobby
Kendall Coyne Schofield as Hockey Announcer

PRODUCTION

Development

After the success of Inside Out, the seventh-highest-grossing film of 2015, Entertainment Tonight and The Guardian considered a sequel to be “inevitable”. Inside Out director Pete Docter was germinating ideas for a sequel while the original film’s nominations were unveiled at the 88th Academy Awards in January 2016. Development on the story began in early 2020 and Pixar officially confirmed the sequel’s development during the D23 Expo announcement in September 2022, with Amy Poehler coming on stage to discuss the film alongside Docter. Kelsey Mann was announced as the director of the sequel (making it his feature directorial debut), with Mark Nielsen producing, while Meg LeFauve was announced to write the film’s screenplay, returning from its predecessor.

To utilize “truthful” worldbuilding, Mann used Docter’s “five to 27 emotions” idea from the first film that he pitched during its production. Mann’s first pass included nine new emotions to make Joy feel overwhelmed with all the new emotions showing up, but felt that the story could not keep track with so many emotions taking the spotlight or not adding to the story, so after the first screening, he decided to simplify the number. Among those emotions was Schadenfreude (having joy at someone’s expense), Jealousy and Guilt, but the latter two influenced the film despite being removed, with Mann feeling that Envy could relate to Jealousy and how remnants of Guilt could be found within Anxiety’s introduction, even giving Anxiety some of Guilt’s baggage, which was inspired by that of Disneyland hotels.